Disney (DIS) Q1 2026 Earnings Call Transcript

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DATE

Feb. 2, 2026, 8:30 a.m. ET

CALL PARTICIPANTS

• Chief Executive Officer — Robert A. Iger
• Senior Executive Vice President and Chief Financial Officer — Hugh F. Johnston
• Executive Vice President, Treasurer, and Head of Investor Relations — Carlos A. Gomez

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TAKEAWAYS

• Global box office -- Disney (NYSE:DIS) film studios generated over $6.5 billion globally in calendar year 2025, marking the third-highest year in company history and the ninth year as number one at the global box office within the past decade.
• Billion-dollar films -- "Avatar: Fire and Ash," "Zootopia 2," and "Lilo and Stitch" each surpassed $1 billion in global box office revenue during 2025.
• Animated franchise impact -- "Zootopia 2" became Hollywood's top-grossing animated film and one of the industry’s all-time top 10, earning over $1.7 billion.
• Shanghai Disneyland performance -- The Zootopia-themed land became one of the park’s most popular areas, with a high percentage of guests visiting specifically for this attraction.
• Disney Plus performance -- Hits like "Zootopia 2" and "Avatar: Fire and Ash" significantly increased both first streams and total hours of engagement on Disney Plus.
• Streaming subscription revenue -- SVOD subscription revenue grew 13%, driven by pricing, growth in North America and international markets, and successful bundle offerings.
• Streaming profitability -- The streaming segment turned profitable for the quarter, reversing losses reported in previous years.
• ESPN engagement -- ESPN delivered its most-watched college football regular season since 2011, its second-highest "Monday Night Football" viewership in twenty years, and its third most-watched NBA regular season on record.
• New ESPN app and content expansion -- ESPN Limited launched, with new NFL Network assets now integrated and showing positive early adoption and engagement.
• Theme parks revenue -- The experiences segment achieved more than $10 billion in quarterly revenue for the first time, with all parks undergoing expansion projects.
• Walt Disney World trends -- Walt Disney World reported strong attendance and improved pricing, supported by favorable booking trends, with bookings up 5% for the full year and weighted toward the latter half.
• Disney Cruise Line initiatives -- The Disney Destiny cruise ship recently launched, and the Disney Adventure will soon begin operations as the first ship home-ported in Asia.
• OpenAI Sora license agreement -- Disney signed a three-year licensing agreement with OpenAI, enabling Sora-generated, thirty-second videos involving 250 Disney characters on Disney Plus, with no human voice or face allowed.
• Streaming churn reduction -- Integration of Disney Plus, Hulu, and ESPN bundles led to lower subscriber churn rates, aiding financial performance and user retention.
• Streaming operating leverage -- Disney reported 12% streaming revenue growth and over 50% earnings growth as it aims for 10% segment margins this fiscal year, following achievement of a 5% margin last year.
• Entertainment operating income guidance -- The back half of the fiscal year is expected to see an acceleration in entertainment operating income, driven by a strong theatrical slate, new product launches, and subsequent benefits to consumer products and parks.
• Entertainment segment disclosure change -- Management consolidated entertainment reporting, stating, "we manage the entertainment business as a single entity," aligning with actual content creation and distribution practices.
• Parks expansion projects -- Each theme park is undergoing expansion, with Disneyland Paris near doubling the size of its second park via the launch of Disney Adventure World, including a new Frozen-themed land.

SUMMARY

Management emphasized the integration of intellectual property across film, streaming, and experiences, highlighting more than $6.5 billion in global box office revenue and a 13% increase in streaming subscription revenue as key drivers. Strategic bundling and new product features in streaming, including a Sora-powered short-form video feature, are reducing churn and supporting streaming profitability objectives. ESPN’s performance, particularly in football and basketball ratings, was reinforced by the closure of the NFL Network acquisition, with additional positive impact anticipated from expanded content offerings on the ESPN app. The experiences segment surpassed $10 billion in quarterly revenue for the first time, with every theme park engaged in expansion initiatives and new cruise ships broadening geographic reach.

• Disney shifted its entertainment reporting structure to reflect unified content management and investor relevance, with management indicating product launches and blockbuster film releases as primary drivers for second-half earnings momentum.
• The company plans to launch a fully integrated streaming app experience for Disney Plus and Hulu by year end, with further feature enhancements aimed at raising subscriber engagement and retention.
• Disney reported substantial operating leverage in streaming, targeting a 10% segment margin this year after improvements from prior loss-making quarters.
• The OpenAI Sora agreement establishes a precedent for curated AI-generated content on Disney Plus, initially restricted to thirty-second videos and pre-approved characters, with a focus on curated user-generated and short-form media engagement.

INDUSTRY GLOSSARY

• SVOD: Subscription Video On Demand, a type of streaming service where users pay a recurring fee for access to a library of video content.
• Sora: A generative artificial intelligence model from OpenAI licensed to Disney for the production of short-form video content involving Disney IP.
• First streams: The measure of first-time views of a given film or program on a streaming service platform.
• Churn: The rate at which subscribers cancel their streaming service subscriptions within a given period.
• Operating leverage: The extent to which a company can increase operating income by growing revenue, due to a fixed cost structure.

Full Conference Call Transcript

Lauren: Welcome to The Walt Disney Company First Quarter 2026 Financial Results Conference Call. My name is Lauren, I will be your moderator today. After today's presentation, there will be an opportunity to ask questions. Please note that today's event is being recorded. I would now like to turn the call over to Carlos A. Gomez, Executive Vice President, Treasurer, and Head of Investor Relations. Please go ahead.

Carlos A. Gomez: Good morning. It's my pleasure to welcome everyone to The Walt Disney Company's First Quarter 2026 Earnings Call. Our press release, Form 10-Q, and management's posted prepared remarks were issued earlier this morning and are available on our website at www.disney.com/investors. Today's call is being webcast, and a replay and transcript will be made available on our website after the call. Before we begin, please take note of our cautionary statement regarding forward-looking statements on our IR website. Today's call may include forward-looking statements that we make pursuant to the Safe Harbor provisions of the Private Securities Litigation Reform Act of 1995.

These forward-looking statements, including regarding the company's future business plans, prospects, and financial performance, are not historical in nature, are based on management's assumptions regarding the future, and are subject to risks and uncertainties. Including, among other factors, economic, geopolitical, operating, and industry conditions, competition, execution risks, the market for advertising, our future financial performance, and legal and regulatory developments. Refer to our Investor Relations website, the press release issued today, and the risks and uncertainties described in our Form 10-Ks, subsequent Form 10-Qs, and other filings with the SEC for more information regarding factors and risks that could cause results to differ from those in the forward-looking statements.

A reconciliation of certain non-GAAP measures referred to on this call to the most comparable GAAP measures can be found on our Investor Relations website. Joining me this morning are Robert A. Iger, Disney's Chief Executive Officer, and Hugh F. Johnston, Senior Executive Vice President and Chief Financial Officer. Following introductory remarks from Bob, we will be happy to take your questions. So with that, I will now turn the call over to Bob.

Robert A. Iger: Thank you, Carlos, and good morning, everyone. We are pleased with the start of our fiscal year and our achievements reflect the tremendous progress we've made. Beginning with our entertainment segment, our film studios generated more than $6.5 billion in global box office in calendar year 2025, making this our third biggest year ever and our ninth year as number one at the global box office over the past decade. Avatar: Fire and Ash became our latest release to cross the $1 billion threshold, joining Zootopia 2 and Lilo and Stitch to mark $3 billion titles in 2025.

Zootopia 2 also became Hollywood's highest-grossing animated film ever, and one of the top 10 highest-grossing films of all time, earning more than $1.7 billion and firmly establishing itself as a popular new franchise. This builds on a rich legacy of both creative and box office for Disney. To date, 37 films have come from our studios, out of the 60 films that have hit this mark industry-wide. That's four times more than any other studio. Great storytelling generates value across our interconnected businesses with hits like Zootopia 2 lifting viewership of related titles on Disney Plus and fueling global interest in our parks and consumer products.

The film also became the highest-grossing foreign film of all time in China, where the franchise is an important driver of attendance at Shanghai Disneyland with our Zootopia-themed land one of the most popular areas of the park. Looking ahead to our upcoming slate, we are excited about numerous titles coming to theaters this year, including The Devil Wears Prada 2, The Mandalorian and Grogu, Toy Story 5, the live-action Moana, and Avengers: Doomsday. Turning to streaming, our performance in the quarter reflects the strength of our content and continued technology improvements. We are seeing encouraging results from our investment in local content as we continue our focus on international growth.

We're also rolling out product enhancements to elevate the user experience on Disney Plus. And we're layering in additional ways to engage audiences by developing new vertical and short-form experiences. Plans to introduce a curated slate of Sora-generated content on Disney Plus following our recently announced licensing agreement with OpenAI. We also took a major step forward with the launch of ESPN Limited, and while still early days, we're pleased with the adoption and engagement we've seen with the new app. ESPN is the industry leader in sports, offering fans the most compelling portfolio of live sports, studio shows, and original content with multiple ways to watch. And in Q1, ESPN delivered outstanding ratings across our portfolio of live sports.

Highlights include ESPN's most-watched college football regular season since 2011, with ABC achieving its best college football season since 2006. Monday Night Football delivered its second-highest viewership in twenty years. And season to date, ESPN has delivered its third most-watched NBA regular season ever. Including the linear rights, we also just closed our transaction with the NFL to acquire NFL Network and other media assets, further bolstering ESPN's offering with an even richer content experience for football fans. Turning to our experiences segment, we had a solid start to the fiscal year with quarterly revenue exceeding $10 billion for the first time.

We have expansion projects underway at every one of our theme parks, and next month, we're excited to welcome guests to the new world of Frozen at the completely reimagined Disney Adventure World at Disneyland Paris. This milestone marks the beginning of a bold new era for Disneyland Paris, nearly doubling the size of the second park. At Disney Cruise Line, we recently launched the Disney Destiny, which has received outstanding reviews from guests. We're also preparing for the launch of the Disney Adventure next month, which will be our first ship home-ported in Asia, bringing immersive Disney storytelling to more people globally than ever before.

Overall, our results this quarter reflect our hard work and strategic investments across each of our priorities. And I'm incredibly proud of all that we've accomplished over the past three years to set Disney on the path of continued growth. And I'm inspired and energized by the opportunities ahead for this wonderful company. With that, we will be happy to take your questions.

Carlos A. Gomez: Thanks, Bob. In order to get to as many questions as possible today. With that, operator, we're ready for the first question.

Lauren: Thank you. Our first question comes from Robert S. Fishman from MoffettNathanson. Please go ahead.

Robert S. Fishman: Hi, good morning. Bob, you've made some significant IP deals for Disney over the years. So I'm wondering as you watch from the sidelines, the value being ascribed to Warner Brothers and HBO, does that change or impact any of your strategies to better monetize or unlock the value of all Disney's premium IP? And then, Hugh, if I can squeeze in a quick one. The absence of subscriber disclosure, just wondering if you can help us better understand the drivers of SVOD's 13% subscription revenue growth. Any breakdown of US international or how you expect subscription and advertising revenue to trend over the rest of the year? Thank you.

Robert A. Iger: Thanks, Robert. Look, if anything, the battle for control of Warner Brothers Discovery I think should emphasize or cause investors to appreciate the tremendous value of our assets, particularly our IP. It includes, obviously, all of our brands and our franchises. And, also, let's not forget ESPN. The other thing I'm reminded of is the deal we did for Fox in many ways was ahead of its time. We knew that we would need more volume in terms of IP, and we did that deal actually announced it in 2017, closed it in '19. And I also as I look at it, I think it was extremely well priced. Considering what's being offered for the Warner Brothers Discovery asset.

We have a great hand as I, you know, look across for instance, what our experiences business is currently building. I think more than anything, it illustrates the value of that IP beyond the big screen. But you also have to look at what we've done on the big screen with $6 billion movies just in the last two years and $37 billion movies over time. Those throw off a tremendous amount of value and very long-term value. As if just as a, for instance, the lift Disney Plus that Zootopia 2 and Avatar: Fire and Ash have created is enormous in terms of first streams and in terms of hours engagement.

And I've already talked about our parks, but, you know, we're opening Frozen Land in Paris in just a couple of months. We, obviously, have Star Wars present. The Zootopia land in Shanghai is enormous in terms of both its size and its value. The percentage of people that go to Shanghai Disneyland just to go to Zootopia land is very high. So I think we have a great hand. I don't really feel that we have a need to buy more IP. We're just gonna continue to create our own, and we've got an unbelievable bedrock of stories already told to grow from.

Hugh F. Johnston: And then, Robert, on the subscription side, revenue growth was driven by a couple of factors. First, of course, was pricing, second, both North America and international growth, and third was bundling, the duo, the trio, and the max bundles all doing well and driving both engagement and revenue realization.

Carlos A. Gomez: Thanks, Robert. Operator, next question, please.

Lauren: The next question comes from Steven Lee Cahall from Wells Fargo. Please go ahead.

Steven Lee Cahall: So Hugh, last quarter, there was a lot of focus on the domestic park trends. It looks like you saw some improvement there. Maybe even a bit of a snapback at attendance and per caps domestically. Could you give us any more color on how Walt Disney World did within there? I think you've spoken to some specific trends there more recently. And any commentary on the bookings pacing to the extent that you think that's a helpful indicator of where demand goes from here? And then just on the guidance, a couple of detailed questions there. No mention of fiscal '27 adjusted EPS growth in the earnings release.

Should we assume that's something that's still double-digit or something that you're going to revisit? And same question on CapEx. Thank you.

Hugh F. Johnston: Sure, Steve. Couple of notes on that. One, Walt Disney World had a very good quarter. Obviously benefited from the overlap of the hurricane. But in addition to that, saw strong attendance performance as well as strong pricing performance. As far as bookings for the full year, bookings are up 5% for the full year. Weighted more toward the back half. So certainly trending very positively in that regard. And then last, regarding '27 guidance, no update on that. You should assume that we're not changing any of that or we would have an update. So no change there.

Carlos A. Gomez: Thanks, Steve. Operator, next question, please.

Lauren: The next question comes from Jessica Reif Ehrlich from Bank of America. Please go ahead.

Jessica Reif Ehrlich: So one for Bob and one operational. Bob, when you took over for, you know, you're coming towards the end. I should start with that. Towards the end of your reign as CEO. And when you took over from Michael Eisner, you quickly took many steps that had a huge impact on profit growth for years. Like, just two examples were moving Monday Night Football from ABC to ESPN, so you had a dual revenue stream for the first time. And then making peace with Steve Jobs, the obvious acquiring, you know, subsequently acquiring Pixar.

So as you prepare to hand over the reins, do you see any areas your successor can really kind of jump start that would really drive the business for the long term? And then I guess just on an operational level, you mentioned that you just closed your deal with NFL. How do you see the relationship and the business evolving with the NFL, including the likely early renewal you guys may maybe a year later not sure.

Robert A. Iger: Well, Jessica, first of all, thank you for noting some of the steps that I took when I became CEO. That's a long time ago. And I'm certainly proud of those as I am proud of a lot of the other things that we did thereafter. I think what is noteworthy is that when I came back three years ago, I had a tremendous amount that needed fixing. But anyone who runs a company also knows that it can't be about fixing. It has to be about preparing a company for its future and really putting in place taking steps to create opportunities for growth.

So while I don't want to really either sound get too nostalgic or spend too much time on, you know, possible transition or the probable transition. I you know, the good news is that the company is in much better shape today than it was three years ago. Because we have done a lot of fixing. We've also put in place a number of opportunities including the investment across our experiences business to essentially expand in every location that we do business and on the high seas.

I also believe that you know, in a world that changes as much as it does, that in some form or another trying to preserve the status quo was a mistake, and I'm certain that my successor will not do that. So they'll be handed, I think, a good hand in terms of the strength of the company. A number of opportunities to grow, and, and also the exhortation that in a world that changes, you also have to continue to change and evolve as well. This your second question regarding the NFL, you know, we're really happy that we were able to close it. When we did. That enables us to get started sooner than we actually had anticipated.

And so the upcoming NFL season, which will end in ESPN's first Super Bowl, is a huge opportunity for ESPN, not only in terms of its ability to manage the NFL network and Red Zone, but also with more NFL inventory. And we know how valuable that is. It's how valuable it will be, particularly for ESPN's streaming business. I'm not gonna comment at all about the future of ESPN's relationship with the NFL except to say that the NFL has an opt-out in the current agreement in 2030, and I think it's just premature to speculate what might happen at that point.

Carlos A. Gomez: Thanks, Jessica. Operator, next question, please.

Lauren: The next question comes from Thomas Yeh from Morgan Stanley. Please go ahead.

Thomas Yeh: Thanks so much. Quick one on the streaming side. I wanted to ask about the progress on new bundle initiatives. I think you mentioned the pace of ESPN Unlimited sign-ups. Are you seeing the uptake coming through maybe less on the bundled side versus the authenticated? PTB side, and what's expected to drive that next leg of adoption? And then if you could give us an update on the plans around the Hulu integration, the key steps that you plan to take this year on that front, that'd be helpful. Thank you.

Robert A. Iger: Well, Thomas, look, we've made huge progress turning the streaming business into a profitable business. Developing the technology tools to improve both the user experience and to improve results, and also developing programming across the globe. And I think it sets the business up to lean into accelerated growth you'll probably be hearing about more in the future. The things you have to look at in terms of the components of growth are one, continuing to deliver exceptional content. Particularly on the international front. Two, advancing the technology improvements that I just cited. Three, answering your question, delivering a unified app experience.

And then the fourth would be introducing new features such as vertical videos, storage generated content, etcetera, which we've talked about. So far, the integrated experience that we've already offered with Disney Plus and Hulu has resulted in a reduction in churn, and that's the same is true for the bundle with ESPN, that the bundled subscribers churn out less. And we know that reducing churn is a critical component to improving the bottom line or to creating growth. And so we are hard at work on the technology front to create the one app experience even though consumers will always be able to buy Disney Plus or Hulu on its own.

But by and large, we believe the farm great majority of consumers will buy both and it will be a fully integrated experience. I would guess that would be coming sometime the end of the calendar year.

Carlos A. Gomez: Thanks, Thomas. Operator, next question, please.

Lauren: The next question comes from David Kunoff from JPMorgan. Please go ahead.

David Kunoff: Thank you. With the OpenAI agreement, Bob, can you discuss how you plan to curate and deploy user-generated AI content across your platforms? Would this be entirely for vertical video? And then what would be your expectation for how a ramp in AI content might impact the downstream demand relationship for new programming or archive from your franchises? Thanks.

Robert A. Iger: Well, good question. First of all, what the deal actually covers is a license agreement between ourselves and OpenAI to enable people to prompt Sora to create thirty-second videos of about 250 of our characters that do not include a human voice or face. And it's a that is a that's a three-year agreement. Then we are getting paid for. In addition, we will have the ability to use those videos, those sort of created videos in a curated form on Disney Plus. We have, for a while, wanted to include or add a feature on Disney Plus as ESPN did, by the way, in its new offering. That is both user-generated, but more importantly, short form.

ESPN's a short form. Because we have obviously noticed the huge growth in short form and user-generated content on other platforms such as YouTube. So what this deal does is by giving us the ability to curate what has been basically created by Sora onto Disney Plus is it jump starts our ability to have short form video on Disney Plus. Additionally, it's our hope that we will use the Sora tools to enable subscribers of Disney Plus to create short form videos on our platform. Through Sora. And so it's all, I think, a positive step in terms of adding a feature that we believe will greatly enhance engagement.

The second part of your question about its impact on other programming needs, is I don't really see that it will have any impact at all. You know, we view AI as having a number of obviously, possible advantages or opportunities for the company. One is as a tool to help the creative process. So creativity. Another is productivity, which is simply being more efficient. And the third, I'll call connectivity, which is creating basically a more intimate relationship with the consumer. Enabling the consumer and enabling us to with the consumer just to have a more engaged more effective relationship.

Carlos A. Gomez: Thanks, David. Operator, next question, please.

Lauren: The next question comes from Kannan Venkateshwar from Barclays. Please go ahead.

Kannan Venkateshwar: So you maybe one for you in terms of drag of some of the streaming business. I mean, you've been investing in this business both in terms of unifying the interface and you know, as well as international content and so on. Would be good to understand how much of a drag this is and you know, to that extent, how much operating leverage could be extracted out of it as you go into next year and beyond?

And then, Bob, from your perspective, you know, as you plan your transition, do you think the org structure is more or less in place in terms of leaders of different divisions and you know, how the company is operated on a day-to-day basis. Or is that something that's also part of the transition plan? To the extent you can share? Thank you.

Robert A. Iger: Hugh, I'll take the first I'll take the second part and then I'll give it to you on the org structure. And one of the things that I did when I came back three years ago was to reorganize the company and the primary goal was to create more accountability on the streaming side. Our studio and our television organization basically spent the most money obviously, generating content. For streaming. And I felt strongly that those people that were investing the most needed to have much more skin in the game in terms of the impact of their spending on the bottom line.

And so by putting streaming in the hands of Alan Bergman and Dana Walden, those that run our movie and TV business globally, there was a direct connection between their investments and ultimately, the bottom line of the streaming business. Three years ago, that business I think it lost about a billion five in the last quarter before I came back, and I think almost $4 billion last year. And you see the results this quarter and what we've managed to do in the last year where it's making more than a billion dollars and we're on a path to turning into a far better business. That reorganization worked.

I can't I'm not gonna speak for my successor in terms of how the company will be organized, but I do believe strongly that it's very important that any organization that's created is created with an eye toward creating and maintaining accountability.

Hugh F. Johnston: Dan, I'll jump in on the streaming question. You're right in that we were certainly investing in the business. At one point a few years ago, in fact, we were losing $1 billion a quarter. That number improved substantially. Bob laid out a goal for us. To return or to get streaming to profitability and then to get it to double-digit margins. Recall last year, we got it to a 5 margin, and we stated we have a goal this year and guidance this year to achieve a 10 margin. In terms of the quarter, we delivered 12% revenue growth and about a little over 50% earnings growth.

So from that perspective, we are dropping a lot of operating leverage out of the business. And we would certainly expect to continue to drive operating leverage going forward even while we invest in international content and invest in technology. To make the product better. The balancing act, of course, is we want to continue to grow at a rapid rate while driving operating leverage. We talked last call about a goal of achieving double-digit revenue growth. And in fact, we did do that on the first quarter. And that's something we aspire to continue to do.

Carlos A. Gomez: Thanks, Kannan. Operator, next question, please.

Lauren: The next question comes from Michael C. Morris from Guggenheim. Please go ahead.

Michael C. Morris: Thank you. Good morning. Wanted to ask first about the Entertainment segment and just maybe unpack the drivers a little bit of the second quarter guidance for comparable operating income and then, of course, the full year getting to double digits, certainly with the acceleration in the back half. Can you just talk about what's different in 2Q and then how that will change in the back half of the year for the guide? And then on the Sports segment, if I could, the 4% decline from fewer subscribers is clearly a meaningful improvement from the seven to 8% that you had in prior periods.

Was that all driven by the launch of the ESPN streaming service or are you seeing any improvement in the bundle trend as well? Thank you.

Hugh F. Johnston: Sure. Happy to talk about both of those. The big difference in terms of entertainment and in the quarters is really around the various product launches we have. On the network side, Q2, we have a couple of shows launching versus nothing to speak of last year. So from that standpoint, that's what's driving the change. In the back half of the year, we have a really strong theatrical slate between The Devil Wears Prada 2, The Mandalorian and Grogu, and Toy Story 5. And live-action Moana. So it's really that's driving the big differences.

And, of course, that slate is terrific both from an operating performance and in the current year, but also with that new IP sets us up well for both consumer products and for the parks downstream.

Robert A. Iger: Hugh, let me just add that both Zootopia 2 and Avatar: Fire and Ash will also be on the streaming service at some point. Between now and the end of the year. And I referenced this earlier, but first streams on Disney Plus for the prior Zootopia and Avatar movies approached a million first streams. And second, the number of hours consumed of the first Zootopia movie and the first and second Avatar movies is in the hundreds of I think it's a couple of almost a couple of 100 million new hours consumed.

And so when you look at putting those two films on Disney Plus between now and the end of the fiscal year, obviously, that's going to have significant value for the streaming service.

Carlos A. Gomez: Thanks, Mike. Operator, next question, please.

Lauren: The next question comes from John Christopher Hodulik from UBS. Please go ahead.

John Christopher Hodulik: A couple of quick ones. First, a follow-up on the Sora commentary. Bob, when do you envision the user-generated content showing up on the Disney Plus platform? When can we expect to see that? And do you expect over time it to grow beyond the thirty-second videos, in the current agreement? Then a follow-up for Hugh. You know, the letter calls out lack of visibility on international visitation in the parks. I guess, the 5% increase in bookings. Just is that international visitation, is that incremental to what we've been seeing? And then any color you can give us on bookings for the adventure would be great too. Thanks.

Robert A. Iger: John, we're not being specific about sort of timing. We're working through all the technical details of that. I imagine it'll be sometime in fiscal 2026. And for now, we're sticking to the thirty-second limit on videos created. Down the road, not sure, but we're not really focused on that at this point.

Hugh F. Johnston: Right. And in terms of international visitation, international visitors do tend to stay in Disney hotels less, we do have a bit less visibility on that front. That said, we were able to read it from other indicators. And as a result of that, we pivoted our marketing and sales efforts, promotional as well as marketing efforts to a more domestic audience and were able to keep attendance rates high from that perspective.

Carlos A. Gomez: Thanks, John. Operator, next question, please.

Lauren: The next question comes from Peter Lawler Supino from Wolfe Research. Please go ahead.

Peter Lawler Supino: Hi, good morning. On the subject of the entertainment segment disclosure, change, I wondered if you could help us understand how the new disclosure aligns better with how you think about that business' future and how you think about managing it, what allows you to do or communicate differently that makes your life and ours better. Thank you.

Hugh F. Johnston: Sure. Happy to talk about that. Look, the reality of it is we manage the entertainment business as a single entity. The notion of talking about linear networks separate from streaming, separate from theatrical I think really creates a lot of complexity. That's just not reflective of the reality. If you think about the networks versus streaming, really what that is a product of consumers choosing to pivot from one form of distribution channel to another form of distribution channel. So for us to kind of get into a lot of depth in terms of what's happening there, I don't think it's terribly informative to investors. And it's not reflective of the way that we create or distribute content.

We create content, and we basically put it across all of our distribution channels. So I think it's just a level of nuance that may have been relevant in the past. But just isn't relevant anymore, and that's why we made the change.

Carlos A. Gomez: Thanks, Peter. Operator, we have time for one last question.

Lauren: The final question today comes from Jason Bazinet from Citi. Please go ahead.

Jason Bazinet: Had a question for Mr. Iger. When you first became CEO, I remember investors would lament your parks business as the worst business in the portfolio. And now I chat with investors, everyone says, oh, you know, the majority of Disney is really the parks business, you know, 60 odd percent of the EBIT. My question is, you've got sort of two vectors going on. You are in the early stages of the streaming pivot. You're showing good progress there. The other hand, even committed to invest a lot of capital in the experiences business. If you went out five years, seven years, ten years, pick your horizon.

Do you think the EBIT mix will be more balanced at Disney going forward? Or do you think it will still be an experiences-driven company? In terms of the quantum of profits? Thanks.

Robert A. Iger: Thanks, Jason. Look. If you go all the way back to 2005 when I became CEO, the return on invested capital in the then parks and resorts business was not impressive. And actually not acceptable. And we also had not that much building in progress, meaning there wasn't much expansion, but maybe for good reason because the return on invested capital was so low. As we added IP to our stable, including Pixar in '06 and Marvel in '09, and Lucasfilm Star Wars in '12 and then ultimately Twentieth Century Fox.

We gained access to intellectual property that had real value in terms of parks and resorts and enabled us to lean into more capital spending because of the confidence level we had in improving returns on invested capital due to the popularity of that IP. And when you look at the footprint of the business today, it's never been more broad or more diverse. And the projects that we have underway are gonna make it even more so. Yeah. As I said, we're expanding in every place we operate. And additionally, having been in Abu Dhabi just two weeks ago, was reminded of how great the potential is to build in that part of the world.

Not only is it strategically located, to reach a huge population that have never visited our parks, but we built in one of the most modern and technologically advanced ways. So you know, as I look ahead, I actually am very, very bullish on that business and its ability to grow because of everything that I just cited.

In addition, though, because of what you said about the trajectory of our streaming business and what we know is in the pipeline in our movie business, I you know and also looking back just a few years, when our movie business was suffering from COVID and the streaming business was obviously in not an acceptable place, it's clear that the future of both of those businesses or let's call it our entertainment business is also bright and is going to grow. So we have a healthy competition now at our company in terms of which of those two businesses is going to essentially prevail as the number one deliver driver of profitability for the company.

But I'm confident that both have that ability. Meaning, both have the ability to grow nicely into the future giving all the investments that we've made and the trajectory that we're on.

Carlos A. Gomez: Thanks, Jason, and thanks to everyone for your questions today. We wish you all a good rest of the day. Take care.

Lauren: This concludes today's call. Thank you for joining everyone. You may now disconnect your lines.

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